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It has been described by the Warsaw National Museum as one of the most recognizable paintings in its collection, and is a flagship painting for the "Collection of Polish paintings prior to 1914". Its primary component is the contrast between the solemn jester (the titular Stańczyk) and the lively ball going on in the background. The painting ...
In the play, Stańczyk accuses the Journalist, who calls the jester a "great man", of inactivity and passive acceptance of the nation's fate. At the end of their conversation, Stańczyk gives the Journalist his "caduceus" (the jester's marotte) and tells him to "stir the nation" but not to "tarnish the sacred things, for sacred they must remain ...
The painting Stańczyk, which contains a depiction of the sad clown paradox. The sad clown paradox is the contradictory association, in performers, between comedy and mental disorders such as depression and anxiety.
A clown is a person who performs physical comedy and arts in an open-ended fashion, typically while wearing distinct makeup or costuming and reversing folkway-norms.The art of performing as a clown is known as clowning or buffoonery, and the term "clown" may be used synonymously with predecessors like jester, joker, buffoon, fool, or harlequin.
George Condo (born 1957) is an American visual artist who works in painting, drawing, sculpture and printmaking. He lives and works in New York City. Condo's The Cloudmaker (1984) Condo's Black Bulb (1987) Condo's The Cracked Cardinal (2001) Condo's The Clown (2010), Memorial Art Gallery, Rochester, NY
The Jester Don Diego de Acedo is one of a series of portraits of jesters at the court of Philip IV of Spain by Diego Velázquez. Its subject is the dwarf Don Diego de Acedo, known as "el Primo" (the Cousin). The 1645 oil painting is now in the Prado Museum. The work measures 106 cm high and 83 cm wide.
By painting Morra from a straight-on view, Velázquez managed to highlight Morra's obvious resentment of his physical nature and the disability itself. [19] De Morra is placed against a plain dark background with no objects in sight. [3] The structure of the painting was originally oval instead of a square, as evident in markings on the canvas ...
Portrait of Pablo de Valladolid is a portrait painted around 1635 by Diego Velázquez of Pablo or "Pablillos" de Valladolid (1587–1648), a jester and actor at Philip IV's court from 1632 until his death. It is now in the Museo del Prado, to which it was moved in 1827.