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Portrait of Caspar David Friedrich, Gerhard von Kügelgen c. 1810–1820. Caspar David Friedrich (German: [ˌkaspaʁ ˌdaːvɪt ˈfʁiːdʁɪç] ⓘ; 5 September 1774 – 7 May 1840) was a German Romantic landscape painter, generally considered the most important German artist of his generation, whose often symbolic, and anti-classical work, conveys a subjective, emotional response to the ...
Citation data is also the basis of the popular journal impact factor. There is a large body of literature on citation analysis, sometimes called scientometrics, a term invented by Vasily Nalimov, or more specifically bibliometrics. The field blossomed with the advent of the Science Citation Index, which now covers source literature from 1900 on.
The Magic of Silence: Caspar David Friedrich's Journey Through Time (German: Zauber der Stille. Caspar David Friedrichs Reise durch die Zeiten) is a 2023 book by the German art historian Florian Illies. It is about the painter Caspar David Friedrich and was written for the occasion of Friedrich's 250th anniversary in 2024. [1] [2]
A famous example of the Rückenfigur motif: Caspar David Friedrich's Der Wanderer über dem Nebelmeer, 1818. The Rückenfigur (literally "back-figure") is a compositional device in painting, graphic art, photography, and film. A person is seen from behind in the foreground of the image, contemplating the view before them, and is a means by ...
The impact factor relates to a specific time period; it is possible to calculate it for any desired period. For example, the JCR also includes a five-year impact factor, which is calculated by dividing the number of citations to the journal in a given year by the number of articles published in that journal in the previous five years. [14] [15]
The Monk by the Sea (German: Der Mönch am Meer) is an oil painting by the German Romantic artist Caspar David Friedrich.It was painted between 1808 and 1810 in Dresden and was first shown together with the painting The Abbey in the Oakwood (Abtei im Eichwald) in the Berlin Academy exhibition of 1810.
Although it was controversial and generally coldly received, it was nevertheless Friedrich's first painting to receive wide publicity. The artist's friends publicly defended the work, while art critic Basilius von Ramdohr, who had attended Friedrich's studio exhibit, published an article rejecting Friedrich's use of landscape in a religious ...
The work was commissioned by banker and art collector Joachim Heinrich Wilhelm Wagener, together with a second painting Moonrise by the Sea (Mondaufgang am Meer) to create a pair of "times of the day", depicting morning and evening landscape scenes, in a tradition of Claude Lorrain.