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Anatomy of a Devanagari typeface. Typeface anatomy describes the graphic elements that make up letters in a typeface. [1] [2] Typefaces are born from the struggle between rules and results. Squeezing a square about 1% helps it look more like a square; to appear the same height as a square, a circle must be measurably taller. The two strokes in ...
The type designer must consider the relationship of the space within a letter form (the counter) and the letter spacing between them. Designing type requires many accommodations for the quirks of human perception, "optical corrections" required to make shapes look right, in ways that diverge from what might seem mathematically right.
Beyond Anatomy of a Typeface Lawson has considered and discussed the classification of types. Within Anatomy, Lawson arranges the typefaces by classification. In his preface, Lawson qualifies his classification: "After using this system in the teaching of typography over a thirty-year period, I know that it is reasonably effective in the ...
The counter of the letter 'p' shown in red. In typography, a counter is the area of a letter that is entirely or partially enclosed by a letter form or a symbol (the counter-space/the hole of). [1] [2] The stroke that creates such a space is known as a "bowl". [3]
Diagram of a cast metal sort.a face, b body or shank, c point size, 1 shoulder, 2 nick, 3 groove, 4 foot.. In professional typography, [a] the term typeface is not interchangeable with the word font (originally "fount" in British English, and pronounced "font"), because the term font has historically been defined as a given alphabet and its associated characters in a single size.
The OpenType format defines a number of typographic features that a particular font may support. Some software, such as Adobe InDesign , LibreOffice / OpenOffice , or recent versions of Lua / XeTeX , gives users control of these features, for example to enable fancy stylistic capital letters (swash caps) or to choose between ranging (full ...
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Formally, overshoot is the degree to which capital letters go below the baseline or above the cap height, or to which a lowercase letter goes below the baseline or above the x-height. [4] For example, the highest and lowest extent of the capital O will typically exceed those of the capital X.
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