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In architecture and other decorative arts, diaper is applied as a decorative treatment of a surface with a repeat pattern of squares , rectangles, or lozenges. Diaper was particularly used in medieval stained glass to increase the vividness of a coloured pane, for example the field in a shield of arms. [1]
The stained glass of Islam is generally non-pictorial and of purely geometric design, but may contain both floral motifs and text. Stained glass creation had flourished in Persia (now Iran) during the Safavid dynasty (1501–1736 A.D.), and Zand dynasty (1751–1794 A.D.). [27]
The cross-section of each mullion or tracery bar was important both for the structural integrity of the window and for the visual effect. As can be seen in Viollet-le-Duc's diagram (right) there was normally a roll-moulding on both the inside and outside of the windows, which made the mullions appear even more slender than they actually were.
With triangular arms which come close to filling a square. One example is an artistic variant of the cross pattee components in the Sancroft arms, seen thrice in the ecclesiastical coat of arms of William Sancroft (1617-93), Archbishop of Canterbury in a mid-1740s stained glass at St Lawrence's Church, Mereworth. [dubious – discuss]
One of the most prestigious stained glass commissions of the 19th century, the re-glazing of the 13th-century east window of Lincoln Cathedral, Ward and Nixon, 1855. A revival of the art and craft of stained-glass window manufacture took place in early 19th-century Britain, beginning with an armorial window created by Thomas Willement in 1811–12. [1]
He was one of 25 makers of stained glass listed. Great Exhibition, 1851. Stained glass on left, lining eastern walls in Central North Gallery. Stained Glass was exhibited lining the eastern walls [10] of the Central North gallery of the Crystal Palace. Around 1845 there was a revival of interest in all types of worked glass, reflected in the ...
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