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In 1950, Stuart Productions released a number of the Inkwell Studios Out of the Inkwell cartoons, and a selection of the Paramount Inkwell Imps cartoons to television. [4] In 1955, the Inkwell Imps, along with 2,500 pre-October 1950 Paramount shorts and cartoons were sold to television packagers, the majority acquired by U.M. & M. TV Corporation.
Out of the Inkwell is a 1938 Max Fleischer/Betty Boop live-action and animated short film. [1] The title and concept for the film were a tribute to the Out of the Inkwell series of films that Max Fleischer had produced during the 1920s.
Most of the silent Fleischer titles from the Out of the Inkwell/Inkwell Imps series have entered the public domain. An official Betty Boop VHS set, Betty Boop Confidential , was released by Republic Pictures in 1995, included several black-and-white Betty Boop cartoons as well as Betty's only color appearance, Poor Cinderella .
Koko's first color appearance was a cameo in the cartoon "Toys Will Be Toys" (1949), one of the revived Screen Songs series produced by Famous Studios.In 1958, Max Fleischer set out to revive Out of the Inkwell for television, and a series of 100 color episodes were produced in 1960–1961 by Hal Seeger using the voice talents of Larry Storch.
A cartoonist (portrayed in live-action by Rudolf Ising) draws Bosko, who comes to life. Bosko speaks, sings, dances and plays the piano before the cartoonist sucks him into his ink pen and pours him back into the inkwell. Bosko pops out of the bottle and promises to return. This is a live-action/animated short film starring a character named Bosko.
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Mother, Mother, Mother Pin a Rose on Me is a film, produced by Out of the Inkwell Studios in the Phonofilm sound-on-film system, and released on March 1, 1925, as part of the Song Car-Tunes series. [1] Max Fleischer, Lee de Forest, Hugo Riesenfeld, and Edwin Miles Fadiman formed Red Seal Pictures to release the Song Car-Tunes series.
The following year she signed another contract to distribute for Fleischer Studios on the Out of the Inkwell series. [4] This established her reputation as the top distributor in the cartoon world. It was a good thing, because at the end of the same year the Fleischer brothers, flush with success as a result of Winkler's work, left her to form ...
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