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Literary nonsense, as recognized since the nineteenth century, comes from a combination of two broad artistic sources. The first and older source is the oral folk tradition, including games, songs, dramas, and rhymes, such as the nursery rhyme "Hey Diddle Diddle". [3]
The Tenth Rasa: An Anthology of Indian Nonsense, edited by Michael Heyman, with Sumanyu Satpathy and Anushka Ravishankar. New Delhi: Penguin, 2007. New Delhi: Penguin, 2007. This volume includes, among other Indian nonsense texts, several translations of Sukumar Ray by Chattarji, including some that are not in her solo edition of Abol Tabol .
Throughout the history of literature, since the creation of bound texts in the forms of books and codices, various works have been published and written anonymously, often due to their political or controversial nature, or merely for the purposes of the privacy of their authors, among other reasons.
Nonsense verse is a form of nonsense literature usually employing strong prosodic elements like rhythm and rhyme. It is often whimsical and humorous in tone and employs some of the techniques of nonsense literature.
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List of 19th-century British children's literature titles; List of Australian crime-related books and media; List of anonymously published works; List of autobiographies; Lists of banned books; List of books written by children or teenagers; List of book titles taken from literature; List of books by year of publication
Nonsense verse is the verse form of literary nonsense, a genre that can manifest in many other ways. Its best-known exponent is Edward Lear, author of The Owl and the Pussycat and hundreds of limericks. Nonsense verse is part of a long line of tradition predating Lear: the nursery rhyme Hey Diddle Diddle could also
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