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Book of the Heavenly Cow: 1.24: The Destruction of Mankind: 10: Deliverance of Mankind from Destruction: Great Hymn to the Aten: 1.25: The Great Cairo Hymn of Praise to Amun-Re: 365–367: A Hymn to Amon-Re: 1.27: Two Hymns to the Sun-god: 367–368: A Universalist Hymn to the Sun: 1.28: The Great Hymn to the Aten: 369–371: The Hymn to the ...
An 1893 engraving depicting Joseph Smith's description of receiving artifacts from the angel Moroni. The artifacts include the golden plates and a set of spectacles made of seer stones, which Smith called the Urim and Thummim. The sword of Laban and an ancient breastplate are shown nearby.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Other terms often used for printed engravings are copper engraving, copper-plate engraving or line engraving. Steel engraving is the same technique, on steel or steel-faced plates, and was mostly used for banknotes, illustrations for books, magazines and reproductive prints, letterheads and similar uses from about 1790 to the early 20th century, when the technique became less popular, except ...
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[15] [16] The right limb represents the spiritual and the good; the left, the material and evil. In plate six, Satan smites Job with boils using his left hand, and in plate 15 God indicates Behemoth and Leviathan with his left hand. Contrarily, God banishes Satan with his right hand in plate sixteen and speaks to Job from the whirlwind in plate ...
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