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Harold Bloom (July 11, 1930 – October 14, 2019) was an American literary critic and the Sterling Professor of humanities at Yale University. [1] In 2017, Bloom was called "probably the most famous literary critic in the English-speaking world". [ 2 ]
The Western Canon: The Books and School of the Ages is a 1994 book about Western literature by the American literary critic Harold Bloom, in which the author defends the concept of the Western canon by discussing 26 writers whom he sees as central to the canon.
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [1] approach to literary criticism.
Most of the book is devoted to critical analyses of the plays and not explanation of the book's subtitle; though these analyses are "richly packed with brilliant observations", they "do not add up to the kind of systematic support Bloom's central claim deserves and demands", and not enough attention is given to the ramifications of that claim. [5]
Pages in category "Books by Harold Bloom" The following 5 pages are in this category, out of 5 total. This list may not reflect recent changes. A. The American Religion;
The theory of anxiety of influence is a theory applied principally to early nineteenth century romantic poetry. Its author, Harold Bloom, maintains that the theory has general applicability to the study of literary tradition, ranging from Homer and the Bible to Thomas Pynchon and Anne Carson in the 20th and 21st century.
The American Religion: The Emergence of the Post-Christian Nation (1992; second edition 2006) is a book by literary critic Harold Bloom, in which the author covers the topic of religion in the United States from a perspective which he calls religious criticism. [1]
Overall, the book received favourable reviews from literary critics. In a 2003 volume of criticism of Rushdie's career, the influential critic Harold Bloom named The Satanic Verses "Rushdie's largest aesthetic achievement". [10]
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