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Sargam (from SA-RE-GA-MA), a technique for the teaching of sight-singing, is the Hindustani or North Indian equivalent to the western solfege. Sargam is practiced against a drone and the emphasis is not on the scale but on the intervals, thus it may be considered just intonation. The same notes are also used in South Indian Carnatic music.
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Sargam refers to singing the notes, mostly commonly used in Indian music, instead of the words of a composition, with use of various ornamentations such as meend, gamak, kan and khatka, as part of a khyal performance. This is generally done in medium-tempo as a bridge between the alap and taan portions.
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It also introduced sargam solfège (or solfa), the singing of the first syllable of the names of the musical notes, as an aid to learning and performance. (The full names of the notes existed previously, for example as found in Natya Shastra.) The author based his work on Bharata Muni's Natya Shastra.
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Download as PDF; Printable version; ... notes. Bilaawal Thaat Kalyan Thaat Definition: ... Indian Sargam Notes: Sa Re Ga Ma Pa Dha Ni Sa:
In the avarohana the note Ga (gandhar) komal is used in a slow vibrato (andolan) on this note. Similarly, komal Dha is also used by Andolan. The Andolan of komal Ga and komal Dha add to the gravity of the raga. The association of the notes Ni and Pa sounds pleasing. Its Vadi swara is Re and Samavadi is Pa. arohana: S R (R)g, (R)g M P d n S'