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In his father's garage, he worked the clay on a ping-pong table. [2] The film is a surreal short of pulsating shapes and lumps of clay set to jazz music in a homage of Walt Disney's Fantasia. [3] Gumbasia was created in a style Vorkapić taught, called Kinesthetic Film Principles and described as "massaging of the eye cells".
The clay was marketed directly to people at craft shows, street fairs and demonstrations in small art stores. Sculpey closely resembles Fimo , another brand of polymer clay. Sculpey has a less rigid composition which better suits modeling, while Fimo is better suited for twisting into cane and bead making because the colors do not blend ...
Strata-cut animation, also spelled stratcut or straticut, is a form of clay animation, itself one of many forms of stop motion animation.. Strata-cut animation is most commonly a form of clay animation in which a long bread-like "loaf" of clay, internally packed tight and loaded with varying imagery, is sliced into thin sheets, with the animation camera taking a frame of the end of the loaf ...
Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process. [4]
Claymation, sometimes called clay animation or plasticine animation, is one of many forms of stop-motion animation. Each animated piece, either character or background, is "deformable"—made of a malleable substance, usually plasticine clay .
Once conditioned, the clay will remain pliable until the particles eventually re-adhere. [8] Oven-hardenable PVC plastisol, "liquid polymer clay," is a complement to polymer clay that can be used as an adhesive to combine pieces, or to create various effects. Pigments, chalk pastel, and regular polymer clay can be added to make colored liquid clay.
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Clay painting animation (which is also a variation of the direct manipulation animation process), is animation where clay is placed and flattened on a flat supporting surface and moved like "wet" oil paints as on a traditional artistic canvas to produce any style of images, but with a clay 'look' to them, filmed frame-by-frame by an animation ...
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