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Still life photography is a genre of photography used for the depiction of inanimate subject matter, typically a small group of objects. Similar to still life painting, it is the application of photography to the still life artistic style. [1] Tabletop photography, product photography, food photography, found object photography etc. are ...
Carl Warner was born in Liverpool, England in 1963. At the age of seven he moved to Kent with his parents and as an only child spent hours in his bedroom listening to music, drawing and creating worlds from his imagination, inspired by the posters on his walls by artists such as Salvador Dali and Patrick Woodroofe and the record sleeve designs of Roger Dean and the work of Hipgnosis.
Nirmala UI ("User Interface") is an Indic scripts typeface created by Tiro Typeworks and commissioned by Microsoft.It was first released with Windows 8 in 2012 as a UI font and currently supports languages using Bengali–Assamese, Devanagari, Kannada, Gujarati, Gurmukhi, Malayalam, Meitei, Odia, Ol Chiki, Sinhala, Sora Sompeng, Tamil and Telugu.
John Blakemore (born 1936), is an English photographer who has worked in documentary, landscape, still life and hand made books. He taught the medium full time from 1970. He has been the recipient of Arts Council awards, a British Council Travelling Exhibition and in 1992 won the Fox Talbot Award for Photography.
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After moving to the United States in 1972 [1], he spent two years working as a photo assistant in New York City and subsequently established his own studio, specializing in still life photography [1]. Since 1979, in addition to his well established commercial work, Kenro began his serious professional commitment to his fine art photography ...
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Paul Outerbridge, Jr. (August 15, 1896 - October 17, 1958) was an American photographer known for pioneering the carbon-transfer printing process in color photography. His work included still lives, fashion photography, advertising, and provocative female nudes. Paul Outerbridge, Advertisement for Ide Collars, Vanity Fair, November 1922