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Vestments in different liturgical colours. Liturgical colours are specific colours used for vestments and hangings within the context of Christian liturgy.The symbolism of violet, blue, white, green, red, gold, black, rose, and other colours may serve to underline moods appropriate to a season of the liturgical year or may highlight a special occasion.
The vaults of the upper-chapel feature gold painted stars on a dark blue background. [7] The earliest known instance of a star-painted vault related to Christianity is a baptistery at the city of Dura-Europos which is dated approximately 300 AD. The stars in the baptistery were painted white, painted over a blue background, and featured eight ...
The Ishtar Gate of ancient Babylon (604–562 BC) was decorated with deep blue glazed bricks used as a background for pictures of lions, dragons and aurochs. [16] The ancient Greeks classified colors by whether they were light or dark, rather than by their hue. The Greek word for dark blue, kyaneos, could also mean dark green, violet, black or ...
In color theory, a color scheme is a combination of 2 or more colors used in aesthetic or practical design. Aesthetic color schemes are used to create style and appeal. Colors that create a harmonious feeling when viewed together are often used together in aesthetic color sc
Among the factors that determined how a church was designed and built are the nature of the local community, the location in city, town or village, whether the church was an abbey church, whether the church was a collegiate church, whether the church had the patronage of a bishop, whether the church had the ongoing patronage of a wealthy family ...
In the 12th century early Gothic, the dominant colors were a deep and rich blue, and a ruby red. The colors were often uneven and streaky, but the intensity of the color, particularly in the small windows, was greater than in later windows. [21] These colors were used for all of the backgrounds of the figures, and were rarely painted upon.
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Chartres' windows are celebrated for their cobalt blue, known as "Chartres blue" or "Romanesque blue", which first emerged in the workshops at Saint-Denis Basilica in the 1140s and was also used at Le Mans Cathedral. With a sodium base coloured with cobalt, it is the more resistant than reds and greens of the same era. [13] [14]
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