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This page lists classical pieces in the tuba repertoire, including solo works, ... Meyer Kupferman, Sound Objects 1-3 (1978), for tuba, trumpet and piano (1978) [4]
The tuba (UK: / ˈ tj uː b ə /; [1] US: / ˈ t uː b ə /) is the largest and lowest-pitched musical instrument in the brass family.As with all brass instruments, the sound is produced by lip vibration – a buzz – into a mouthpiece.
Tuba Sounds is the debut album by tuba player Ray Draper recorded in 1957 and released on the Prestige label. [1] Reception. Professional ratings; Review scores;
The oom-pah sound is usually made by the tuba alternating between the root of the chord and the 5th — this sound is said to be the oom. The pah is played on the off-beats by higher-pitched instruments such as the clarinet, accordion or trombone. Oompah is often associated with Volkstümliche Musik, a form of popular German music, and with polka.
On all brass instruments, sound is produced when the player's vibrating lips (embouchure) cause the air column, i.e. the air enclosed inside the instrument, to vibrate. This is done by pressing the lips together and blowing air through them in order to produce a 'buzz.' The mouthpiece is where this lip vibration takes place.
The song uses an unusual combination of instruments: a tuba, mandolin, piano [6] and banjo. [1] The tuba, which has connotations of humour and the circus, features heavily in the song's texture. [8] Other instruments are used in the piece as effects, including slide whistle and bass drum. [8]
The phrases were fairly short and traded between soloist and orchestra at a brisk clip, likely due to the physical requirements of the tuba (Mr. Knox needed to come up for air fairly regularly). This made for a different sound than the long, spinning melodies of a string or woodwind concerto, but it was fresh, invigorating even. [4]
The sousaphone (/ ˈ s uː z ə f oʊ n / SOO-zə-fohn) is a brass musical instrument in the tuba family. Created around 1893 by J. W. Pepper at the direction of American bandleader John Philip Sousa (after whom the instrument was then named), it was designed to be easier to play than the concert tuba while standing or marching, as well as to carry the sound of the instrument above the heads ...
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