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12 Hits para 2 guitarras flamencas y orquesta de cuerda (12 Hits for 2 Flamenco Guitars and a String Orchestra) is the fourth of four collaboration albums by Paco de Lucía and Ramón de Algeciras. Track listing
Dos guitarras flamencas en stereo (Two Flamenco Guitars in Stereo) is the first of three collaborative albums between Paco de Lucía & Ricardo Modrego. The two had met while working for José Greco, a talent agent and flamenco dancer, and had composed most of the pieces while touring around the world with him. When they finally returned to ...
Dos guitarras flamencas en América Latina (Two Flamenco Guitars in Latin America) is the second of four collaboration albums by Paco de Lucía and Ramón de Algeciras. Track listing [ edit ]
Paco de Lucía was the lead guitarist accompanying singers on their albums, often with his name noted in the album's title. [39] Flamenco Festival Gitano recorded 1966–1971 Volume 3 (L&R records L&R 44.015) (in cuadro) released 1986; Volume 4 (L& R Records L&R 12L0101 recorded 1969, released 1981; El Chato de La Isla (Polydor EP 334 FEP) 1966
12 éxitos para 2 guitarras flamencas (12 Hits for 2 Flamenco Guitars) is the third of three collaboration albums between Paco de Lucía & Ricardo Modrego.
The Rough Guide to Flamenco is a world music compilation album originally released in 1997. Part of the World Music Network Rough Guides series, [1] the album gives broad coverage to the flamenco genre of Spain. The compilation was produced by Phil Stanton, co-founder of the World Music Network. Liner notes were written by Tom Andrews. [2]
José Fernández Torres (born Fondón, 1958), known professionally as Tomatito, is a Spanish roma flamenco guitarist and composer. Having started his career accompanying famed flamenco singer Camarón de la Isla (with Paco de Lucía), he has made a number of collaborative albums and six solo albums, two of which have won Latin Grammy Awards.
His performances helped popularize flamenco guitar music worldwide. [7] Montoya is credited with having transformed flamenco guitar music into a separate music style, beyond being a traditional dance accompaniment. [2] He adapted flamenco to other genres of music to create his own recognizable style, becoming an international star. [2]
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