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In 2016, London art dealer James Mayor filed a lawsuit against Arne Glimcher and the Agnes Martin catalog raisonné committee, arguing that they had hurt the value of 13 works of Martin he sold after they decided not to include them in their catalog. [35] The New York Supreme Court dismissed the lawsuit in 2018. [35]
[2] A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
From the late 1950s to the early 1960s, the artists Chryssa, James Rosenquist, Robert Indiana, Ellsworth Kelly, Agnes Martin, Lenore Tawney, Ann Wilson, [11] Fred Mitchell, Jack Youngerman and French actress Delphine Seyrig lived in this Lower Manhattan location overlooking the East River. These artists were among a group of intellectuals ...
Agnes Martin (1912–2004), painter; Eugene J. Martin (1938–2005), painter; Enrique Martinez Celaya (1964), painter and sculptor; Gordon Matta-Clark (1943–1978), conceptual artist; Amanda Matthews (born 1968), sculptor, painter, public art; Paul McCarthy (born 1945), performance and installation artist; Allan McCollum (born 1944), sculptor ...
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Agnes Martin. Whitney Museum of American Art, New York, 1992. Joseph Stella. Whitney Museum of American Art, New York, 1994. Milton Avery: The Metaphysics of Color. Neuberger Museum of Art, 1994. Georgia O'Keeffe, Works on Paper. Museum of Fine Arts, Museum of New Mexico, Santa Fe, 1995. The American Century: Art and Culture 1900–1950. W.W ...
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).