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[2] A catalogue raisonné is normally produced by the artist or by a committee of family members, experts or academics, collectively known as "producers". The catalogue ordinarily contains a list of characteristics of an artwork such as the title, year of production, dimensions, medium and a description of the work, alongside an image of the work.
Agnes Bernice Martin RCA (March 22, 1912 – December 16, 2004) was an American abstract painter known for her minimalist style and abstract expressionism. [1] [2] Born in Canada, she moved to the United States in 1931, where she pursued higher education and became a U.S. citizen in 1950.
In 2016, London art dealer James Mayor filed a lawsuit against Arne Glimcher and the Agnes Martin catalog raisonné committee, arguing that they had hurt the value of 13 works of Martin he sold after they decided not to include them in their catalog. [35] The New York Supreme Court dismissed the lawsuit in 2018. [35]
Agnes Martin (1912–2004), painter; Eugene J. Martin (1938–2005), painter; Enrique Martinez Celaya (1964), painter and sculptor; Gordon Matta-Clark (1943–1978), conceptual artist; Amanda Matthews (born 1968), sculptor, painter, public art; Paul McCarthy (born 1945), performance and installation artist; Allan McCollum (born 1944), sculptor ...
Morris was born in 1947 in Gourock, Scotland. [2] She studied painting at Canterbury College of Art from 1964 to 1969. Between 1969 and 1971 she worked at the Institute of Contemporary Arts, London, first, in 1969, on the installation of the seminal exhibition of conceptual art When Attitudes Become Form: Works-Concepts-Processes-Situations-Information, curated by Harald Szeemann, and ...
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Agnes Martin. Whitney Museum of American Art, New York, 1992. Joseph Stella. Whitney Museum of American Art, New York, 1994. Milton Avery: The Metaphysics of Color. Neuberger Museum of Art, 1994. Georgia O'Keeffe, Works on Paper. Museum of Fine Arts, Museum of New Mexico, Santa Fe, 1995. The American Century: Art and Culture 1900–1950. W.W ...
Agnes Martin's film is about water, about countryside, flowers, nature, and mystery.' [24] The art critic Rosalind Krauss wrote about the film in her essay for the catalogue of the 1993 retrospective of Agnes Martin’s work (at the Whitney Museum of American Art , New York).