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Guitar strum Play ⓘ: pattern created by subtracting the second and fifth (of eight) eighth notes from the base, above. Ska stroke [1] Play ⓘ: features dampened staccato upbeat downstrokes. In music, strumming is a way of playing a stringed instrument such as a guitar, ukulele, or mandolin.
Starting from the standard EADGBE, the high and low E strings are lowered or "slacked" to D and the fifth string from A down to G, so the notes become DGDGBD. As the chart below shows, there are also major-chord tunings based on C, F, and D. Another important group of tunings, based on major-seventh chords, is called "wahine".
The ska stroke up or ska upstroke, skank or bang, is a guitar strumming technique that is used mostly in the performance of ska, rocksteady, and reggae music. [5] It is derived from a form of rhythm and blues arrangement called the shuffle, a popular style in Jamaican blues parties of the 1940s, 1950s and 1960s.
The predecessor of today's six-string classical guitar was the five-string baroque guitar tuned as the five high strings of a six-string guitar with the A raised one octave. High C – E-A-d-g-c' Standard tuning with the B tuned a half step higher to C to emulate a six-string bass guitar, minus the low B. This is an all fourths tuning.
The split stroke is a style of playing the ukulele which is peculiar to the George Formby style of playing. [1] It is a syncopated rhythm where the player will strike all of the strings, and then on the return, catch the first string, and then before starting again hit the last string: (Example is the chord 'C') 3..3 0 0 0..-..0
The clawhammer banjo technique works quite well on a ukulele in the standard GCEA tuning, especially playing in the key of C or the key of G. Since, like the 5-string banjo, there is a string that is higher pitched on the opposite side, the same technique results in the same sound.
The world’s oldest known wild bird has sparked “special joy” among scientists after she laid an egg – her first in four years – at the age of 74.
Maybelle's daughter June Carter Cash remembered her mother's playing technique this way: "She'd hook that right thumb under that big bass string, and just like magic the other fingers moved fast like a threshing machine, always on the right strings, and out came the lead notes and the accompaniment at the same time.
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