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"Leviathan" is borrowed from the biblical sea monster that Thomas Hobbes used as a metaphor for the State in his own book of that title.As the "Phantom of Liberty", blowing up replicas of the Statue of Liberty around the country – the novel's protagonist is a Hobbesian hero whose nemesis is the State; his self-inflicted death, a metaphor for man's doomed struggle.
Leviathan: Or the Matter, Forme, and Power of a Commonwealth Ecclesiasticall and Civill, ed. by Ian Shapiro (Yale University Press; 2010). Leviathan, Critical edition by Noel Malcolm in three volumes: 1. Editorial Introduction; 2 and 3. The English and Latin Texts, Oxford University Press, 2012 (Clarendon Edition of the Works of Thomas Hobbes).
Leviathan is a 2009 novel written by Scott Westerfeld and illustrated by Keith Thompson. It is the first work in the trilogy of the same name, followed by sequels Behemoth and Goliath . [ 1 ]
Fredy Perlman (1934–1985) was an American author, publisher, and activist. His best-known work, Against His-Story, Against Leviathan!, retells the historical rise of state domination (and domination generally) through a poetic investigation of the Hobbesian metaphor of the Leviathan.
Leviathan: The Last Day of the Decade, a video game by Lostwood Games; Mass Effect 3: Leviathan, a DLC pack for the video game Mass Effect 3; Leviathan, the name of the first raid released in the video game Destiny 2; Leviathan, a 1987 video game from English Software; Leviathan class organisms, a type of lifeform in the 2018 video game Subnautica.
The book is the second installment in the Leviathan series. It picks up where Leviathan ends. It was published on October 5, 2010. [1] As with Leviathan, the audiobook is read by Alan Cumming. The sequel, Goliath, was released on September 20, 2011. [2]
Leviathan After 350 Years, with T. Sorell, Oxford, Clarendon Press, 2004, 314 p. ( ISBN 0-19-926461-9 ). New critical perspectives on Leviathan upon the 350th anniversary of its publication / Nuove prospettive critiche sul Leviatano di Hobbes nel 350° anniversario di pubblicazione, with G. Wright, Milan, Franco Angeli, 2004, 374 p.
Harold Bloom has interpreted Blake's most famous lyric, The Tyger, as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [12] Blake also depicted the story of Job throughout his career as an artist. The song of Enion in Night the Second of The Four Zoas also demonstrates that Blake identified with Job ...