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Louis Aimé Augustin Le Prince (28 August 1841 – disappeared 16 September 1890, declared dead 16 September 1897) was a French artist and the inventor of an early motion-picture camera, and director of Roundhay Garden Scene. He was possibly the first person to shoot a moving picture sequence using a single lens camera and a strip of (paper) film.
In 1887, he began to experiment with the use of paper film, made transparent through oiling, to record motion pictures. He also said he attempted using experimental celluloid, made with the help of Alexander Parkes. In 1889, Friese-Greene took out a patent for a moving picture camera that was capable of taking up to ten photographs per second.
The oldest known functional motion picture cameras were developed by Louis Le Prince in the 1880s. On 2 November 1886, he applied for a US patent for a "Method of and apparatus for producing animated pictures of natural scenery and life", which was granted on 10 January 1888.
This idea had first been made public in 1890 in descriptions of the moving picture camera of William Friese-Greene. [10] These former Edison associates helped to design the Eidoloscope projector system and a widescreen camera to film with, which would be used in the first commercial movie screening in world history on 20 May 1895. [ 11 ]
William Friese-Greene (born William Edward Green, 7 September 1855 – 5 May 1921) was a prolific English inventor and professional photographer.He was known as a pioneer in the field of motion pictures, having devised a series of cameras between 1888–1891 and shot moving pictures with them in London.
This camera also used Nikon F-mount lenses, which meant film photographers could use many of the same lenses they already owned. Digital camera sales continued to flourish, driven by technology advances. The digital market segmented into different categories, Compact Digital Still Cameras, Bridge Cameras, Mirrorless Compacts and Digital SLRs.
Crawley explains, “As opposed to pulling the film down vertically in a motion picture camera, it’s actually pulling it horizontally across eight perforations at a time.
Smith created the scenario in response to the success of a genre known as a phantom ride. In a phantom ride film, cameras would capture the motion and surroundings from the front of a moving train. [60] [61] The separate shots, when edited together, formed a distinct sequence of events and established causality from one shot to the next. [62]