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Jesus and the two disciples On the Road to Emmaus, by Duccio, 1308–1311, Museo dell'Opera del Duomo, Siena. According to the Gospel of Luke, the road to Emmaus appearance is one of the early post-resurrection appearances of Jesus after his crucifixion and the discovery of the empty tomb.
Paolo Veronese's Supper at Emmaus is a large 241×415 cm (8×14 feet) oil painting on canvas. [1]It depicts the biblical Gospel story of the resurrected Christ appearing on the road to Emmaus – and being finally recognized by two of his disciples who were on a pilgrimage to Emmaus, as he blesses the bread at a meal they had invited him, an apparent stranger, to. [2]
The Supper at Emmaus is a painting by the Italian Baroque master Caravaggio, executed in 1601, and now in London. It depicts the Gospel story of the resurrected Jesus's appearance in Emmaus. Originally this painting was commissioned and paid for by Ciriaco Mattei, brother of cardinal Girolamo Mattei.
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The significance of the artos is that it serves to remind all Christians of the events connected with the Resurrection of Our Lord Jesus Christ. While still living on earth, the Lord called Himself the Bread of Life, saying: I am the bread of life; he who comes to Me shall not hunger, and He who believes in Me shall never thirst . After His ...
Bill Hutto and Joshua Rieff, who say that is the main lesson in the story of the Road to Emmaus in Luke 24:13-35 and Mark 16:12-13 where the disciple Cleopas and an unidentified disciple are ...
The Emmaus Ministries soup kitchen takes its name from the place where people "came to know Jesus in the breaking of the bread." (Luke 24:33)
The Supper at Emmaus is the title shared by several similar works by Titian, two of which are discussed here. The first, made about 1534, is currently on long-term loan to the Walker Art Gallery, in Liverpool. The second, made about 1545 by Titian and his studio, is in the National Gallery of Ireland, in Dublin.