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2-step garage, or simply 2-step, is a genre of electronic music and a subgenre of UK garage. [1] One of the primary characteristics of the 2-step sound – the term being coined to describe "a general rubric for all kinds of jittery, irregular rhythms that don't conform to garage's traditional four-on-the-floor pulse" [1] – is that the rhythm lacks the kick drum pattern found in many other ...
Yamaha DTX6K3-X kit with DTX PRO module. The Yamaha DTX series is a range of electronic drum kits and percussion controllers manufactured by the Yamaha Corporation. They currently cover levels from beginner to professional. DTX kits use sampling for their sounds, meaning each kit has built-in digital recordings of real drums, and cymbals.
Breakstep evolved from the 2-step garage sound. Moving away from the more soulful elements of garage, it incorporated downtempo drum and bass style basslines, trading the shuffle of 2-step for a more straightforward breakbeat drum pattern.
The B-side of this record changed the UK garage scene from funky and soulful to dark and bassy. Another example of the evolution in 2-step was the release of "Troublesome" in 1999 by Shy Cookie and DJ Luck, in which non-sampled 2-step beats were merged with a full ragga vocal (performed by ragga artist Troublesome).
Breakbeat is a broad type of electronic music that uses drum breaks, often sampled from early recordings of funk, jazz, and R&B.Breakbeats have been used in styles such as Florida breaks, hip hop, jungle, drum and bass, big beat, breakbeat hardcore, and UK garage styles (including 2-step, breakstep and dubstep).
Camco drums are now highly attractive to collectors and players alike and achieve some of the highest prices in the vintage drum market. Even now, decades after the company closed, some contemporary musicians, like highly rated jazz player Jeff Ballard , British session player Chris Whitten , and Jeremy Stacey continue to use vintage Camco kits.
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Techstep was a reaction to the appearance of more pop and virtuosic musical elements on jungle and drum 'n' bass tracks, which were seen as an adulteration of "true" or "original" jungle. [8] Instead the genre was infused with a simpler, colder sound that stripped away most R&B elements, and replaced them with a more hardcore sound, [ 9 ] and ...
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