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Music portal Wikimedia Commons has media related to Accordionists from France . This category is for articles about players of the accordion from the European country of France .
Their inspiration comes from French accordion music, French musette waltzes, Italian folk music, Antillean waltzes, Indonesian kronchong melodies, Argentinean tangos, Jewish and Greek folk music, swing standards, Gypsy romantics, classical music, merengues and tex-mex. A central theme is the role of silence in music.
Except for a brief moment in time during the 1830s and 1840s when the accordion was heard by French aristocracy during Salon music concerts, the instrument has always been associated with the common people. The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century ...
Moreover, the accordion is the principal instrument in Junina music (music of the São João Festival), with Mario Zan having been a very important exponent of this music. It is an important instrument in Sertanejo (and Caipira) music, which originated in the midwest and southeast of Brazil, and subsequently has gained popularity throughout the ...
The Harmoneon or concert accordion [2] (French: Harmonéon, accordeon de concert) is a French free reed aerophone, [3] invented by Pierre Monichon in 1948, although he only patented the instrument four years later in 1952. It has been taught in musical conservatories since 1974. [4]
Original file (1,275 × 1,650 pixels, file size: 89 KB, MIME type: application/pdf) This is a file from the Wikimedia Commons . Information from its description page there is shown below.
How many reeds an accordion has is specified by the number of treble ranks and bass ranks. For example, a 4/5 accordion has four reeds on the treble side and five on the bass side. A 3/4 accordion has three reeds on the treble sides and four on the bass side. Reed ranks are classified by either organ 'foot-length' stops or instrument names ...
Between 1910 and 1913, Auguste and, after his death, his son Jacques organised concerts to raise awareness of new music. In 1914, Jacques published under the title Édition classique Durand & fils important nineteenth-century works for piano including the music of Chopin edited by Debussy, of Mendelssohn by Ravel and of Schumann by Gabriel Fauré.
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