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The song tells a story of a prostitute who loves an accordion player (and the music he plays, namely a dance called java). Then he has to leave for the war. Then he has to leave for the war. She finds refuge in music, dreaming about how they will live together when he comes back.
Except for a brief moment in time during the 1830s and 1840s when the accordion was heard by French aristocracy during Salon music concerts, the instrument has always been associated with the common people. The accordion was spread across the globe by the waves of Europeans who emigrated to various parts of the world in the late 19th century ...
This is a list of articles describing popular music acts that incorporate the accordion. The accordion appeared in popular music from the 1900s-1960s. This half century is often called the "Golden Age of the Accordion." Three players: Pietro Frosini, and the two brothers Count Guido Deiro and Pietro Deiro were major influences at this time.
This is a list of articles describing traditional music styles that incorporate the accordion, alphabetized by assumed region of origin.. Note that immigration has affected many styles: e.g. for the South American styles of traditional music, German and Czech immigrants arrived with accordions (usually button boxes) and the new instruments were incorporated into the local traditional music.
Music portal Wikimedia Commons has media related to Accordionists from France . This category is for articles about players of the accordion from the European country of France .
Although originally there were no instruments, there were songs. Families sang traditional French songs called complaintes which the Cajuns adapted to their new ways of life. The first known record was of a violin in 1780 and a fiddle and clarinet player in 1785. The diatonic accordion was introduced to Cajun music in the mid- to late-1800s.
Moreover, the accordion is the principal instrument in Junina music (music of the São João Festival), with Mario Zan having been a very important exponent of this music. It is an important instrument in Sertanejo (and Caipira) music, which originated in the midwest and southeast of Brazil, and subsequently has gained popularity throughout the ...
Chavis made his first recording in 1955, "Paper in My Shoe", based on a song he heard performed by Creole accordionist Ambrose "Potato" Sam. [5] Chavis's version was an uptempo tune with a dance beat about being too poor to afford new shoes or socks, so he placed a paper in his shoes to keep his feet warm when the holes in the sole got too large. [12]