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In the 1905 first version of his Bach biography, Albert Schweitzer leaves BWV 565 unmentioned in the chapter on the organ works. [91] In André Pirro's 1906 biography, Bach's organ toccatas are only mentioned as a group. He considers none of them written before Bach's later Weimar years (so closer to 1717 than to 1708). [92]
In the 20th century Bach's music was performed and recorded by artists specializing in the music of the composer, such as Albert Schweitzer, Helmut Walcha and Karl Richter. With the advent of the historically informed performance practice Bach's music was prominently featured by artists such as Nikolaus Harnoncourt , Gustav Leonhardt and ...
Ludwig Philipp Albert Schweitzer OM (German: [ˈalbɛʁt ˈʃvaɪtsɐ] ⓘ; 14 January 1875 – 4 September 1965) was a German and French polymath from Alsace.He was a theologian, organist, musicologist, writer, humanitarian, philosopher, and physician.
Albert Schweitzer described both movements as being "so mighty in design, and have so much harshness blended with their power, that the hearer can only grasp them after several hearings." [9] Philipp Spitta referred to the work as a "two-movement symphony", commenting on the work's "life energy" and the "extreme daring" nature of the fugue ...
[15] [16] Albert Schweitzer in 1935 called Schlage doch, gewünschte Stunde "[t]he best known of the solo cantatas for alto". [8] While current Bach scholarship has ruled out Bach as its possible composer, there is no clear consensus that Hoffmann should be confirmed as the composer of the piece.
In London, Bach's Double became a repertoire piece, for instance regularly performed at the Proms. [25] After commenting that the "A minor and E major concertos are beginning to win a place in our concert halls," Albert Schweitzer writes, in the 1911 English-language edition of his book on Bach: [29]
The court chapel at the Schloss in Weimar where Bach was court organist. The organ loft is visible at the top of the picture. The Orgelbüchlein (Little Organ Book) BWV 599−644 is a set of 46 chorale preludes for organ — one of them is given in two versions — by Johann Sebastian Bach.
The court chapel at the Schloss in Weimar where Bach was court organist. The organ loft is visible at the top of the picture. Early versions of almost all the chorale preludes are thought to date back to 1710–1714, during the period 1708–1717 when Bach served as court organist and Konzertmeister (director of music) in Weimar, at the court of Wilhelm Ernst, Duke of Saxe-Weimar. [2]
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