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A final reunion song, "Now and Then", was released in 2023. [42] The Beatles remain one of the most acclaimed and influential artists in popular music history. [1] [43] Their songs have been covered thousands of times by a wide range of artists and continue to be celebrated throughout the world. [15]
List of songs recorded by the Beatles; The Beatles albums discography; The Beatles videography; Outline of the Beatles; The Beatles timeline; Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions
It should only contain pages that are The Beatles songs or lists of The Beatles songs, as well as subcategories containing those things (themselves set categories). Topics about The Beatles songs in general should be placed in relevant topic categories .
The song is in the key of C major. The song form is standard AABA (verse-verse-bridge-verse), without a chorus as such, but including the refrain "No reply". The main instrumentation on the Beatles recording comprises acoustic guitars (played by Lennon and Harrison [22] on their Gibson J-160Es), [23] bass guitar and drums.
The soundtrack to the Beatles’ TV special Magical Mystery Tour is a minor work, whether you’re talking about the six-song double EP released in the U.K., or the American version that adds five ...
Apple Records discography, the albums and singles of the Beatles' record label, many of which had involvement by members of the Beatles; The Beatles bootleg recordings; The Beatles' recording sessions; List of songs recorded by the Beatles; The Beatles Tapes from the David Wigg Interviews, a collection of interviews with the band
The song's musical key is C Mixolydian. [30] The chord over the drone is generally C major, but some changes to B ♭ major result from vocal modulations, as well as orchestral and guitar tape loops. [31] [32] According to author Peter Lavezzoli, the composition is the first pop song to eschew formal chord changes altogether.
Among musicologists discussing "It's All Too Much", Walter Everett describes it as a two-chord composition, [4] whereas Alan Pollack contends that the song's sole chord is G major, although he concedes that transcribers may well list fleeting changes to C major over the choruses. In Pollack's opinion, these sections appear to employ IV (C major ...
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