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F-sharp minor is sometimes used as the parallel minor of G-flat major, especially since G-flat major's real parallel minor, G-flat minor, would have nine flats including two double-flats. For example, in the middle section of his seventh Humoresque in G-flat major , Antonín Dvořák switches from G-flat major to F-sharp minor for the middle ...
Theme, notated in G-flat major Flohwalzer, in F-sharp major. Flohwalzer (German: ['floːvaltsər] ⓘ, German for "Flea Waltz") is a simple piano piece, often one of the first learned because its fingering is simple and it allows beginners to perform a piece that is harmonically and rhythmically pleasing.
The standard tuning, without the top E string attached. Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D).
The Polonaise in F-sharp minor, Op. 44, is a piece for solo piano written by Frédéric Chopin in 1841. It is often referred to as the "tragic" polonaise, due to its dark nature. [ 1 ] The polonaise is dedicated to Princess Ludmilla de Beauvau, a prominent member of the Polish émigré community in Paris .
F-sharp major is the key of the minuets in Haydn's "Farewell" Symphony and of the String Quartet No. 5 from his Op. 76, of Beethoven's Piano Sonata No. 24, Op. 78, Verdi's "Va, pensiero" from Nabucco, Mahler's unfinished Tenth Symphony, Korngold's Symphony Op. 40, and Scriabin's Fourth Piano Sonata.
Relative tonic chords on C and A (Play ⓘ). Chromatic modulation in Bach's Du grosser Schmerzensmann, BWV 300, m. 5-6 (Play ⓘ with half cadence, Play ⓘ with PAC) transitions from FM to its relative minor dm through the inflection of C ♮ to C ♯ between the second and third chords. This modulation does not require a change of key signature.
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