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2019 Maidens, Tennessee Playwrights Studio 2019 23/1, Destiny Theatre Experience 2019 Papa Was, Destiny Theatre Experience 2019 Writers in Conversation, Andrew McFadyen-Ketchum 2019 Fringe Festival, Actors Bridge 2019 Holding The Man, KB Productions 2019 Writers in Conversation, Andrew McFadyen-Ketchum 2019 Shades of Black Festival, Shades of Black
Recorded at The Bennett House, Dark Horse Recording Studio, The Spank Factory and Screaming Baby (Franklin, TN). Mixing – Shane D. Wilson (Tracks 1, 2, 4-8 & 10); Tom Laune (Track 3); Jim Dineen (Track 9). Mixed at The Castle and Bridgeway Studios (Franklin, TN); Sound Stage Studios and Charlie Peacock Productions (Nashville, TN).
If you mix Stephen Curtis Chapman’s tight songwriting with MercyMe’s power rock you come out with Into the Light, Matthew West’s fourth studio project. And though there is a clear production sheen and accessibility, the key with West goes beyond his catchy writing style—he fills his radio-ready tunes with a heart and depth rarely heard ...
Hi-Fi Revival is the fifth studio album released by The O.C. Supertones. It was the first of three sessions the Supertones recorded in Franklin, Tennessee at Dark Horse Studios. Matt Morginsky and Ethan Luck lived together at this time and demoed over 50 songs for Hi-Fi Revival in their basement. 17 of the un-used songs made it on to their side ...
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In 2022, Dark Horse Studios—which became Wilmington's second film studio in 2020—planned a 20-million-dollar expansion to their studio complex in Wilmington, set to be complete in 2024. [19] [20] [21] On September 27, 2023, Cinespace Studios announced it had purchased two EUE/Screen Gems Studios locations in Wilmington and Atlanta. [22]
Dark Horse Entertainment is a motion picture and television production arm of American comic book publishing company Dark Horse Comics, founded in 1992. [1] They also have a sub-label, Dark Horse Indie.
Ashleigh Kittle of AllMusic begins her review by saying, "Singer/songwriter Kelly Minter released her sophomore project Wrestling the Angels in the fall of 2003. Produced by Margaret Becker and Paul Buono, the acoustic pop album is similar in style to the early music of Susan Ashton as well as (Margaret) Becker's later projects."