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F. Reid Shippen – mixing (1-3, 5-12) at Sound Stage Studios, Nashville, Tennessee; Buckley Miller – mix assistant (1-3, 5-12) J.R. McNeely – mixing ("There Will Be a Day") at Elm South Studios, Franklin, Tennessee; Ted Jensen – mastering at Sterling Sound, New York City; Ryan Clark – art direction and design for Invisible Creature, Inc.
[6] On March 23, 2009, the band started recording at Dark Horse Recording Studio in Franklin, Tennessee, which Hoopes states is his "favorite studio". [4] [5] The band had used the likes of synthesizers and MIDI before; but Thiessen stated that every instrument on this album "It's organic. I know a lot of bands do that now.
2019 Maidens, Tennessee Playwrights Studio 2019 23/1, Destiny Theatre Experience 2019 Papa Was, Destiny Theatre Experience 2019 Writers in Conversation, Andrew McFadyen-Ketchum 2019 Fringe Festival, Actors Bridge 2019 Holding The Man, KB Productions 2019 Writers in Conversation, Andrew McFadyen-Ketchum 2019 Shades of Black Festival, Shades of Black
Recorded at The Bennett House, Dark Horse Recording Studio, The Spank Factory and Screaming Baby (Franklin, TN). Mixing – Shane D. Wilson (Tracks 1, 2, 4-8 & 10); Tom Laune (Track 3); Jim Dineen (Track 9). Mixed at The Castle and Bridgeway Studios (Franklin, TN); Sound Stage Studios and Charlie Peacock Productions (Nashville, TN).
"Heart of Gold" was written on March 18, 2024, at Dark Horse Studios in Franklin, Tennessee, US, on the same day as Shawn tracks "Nobody Knows" and "That'll Be the Day". [6] It was released as a single on November 1, 2024, as a single from Shawn .
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Hi-Fi Revival is the fifth studio album released by The O.C. Supertones. It was the first of three sessions the Supertones recorded in Franklin, Tennessee at Dark Horse Studios. Matt Morginsky and Ethan Luck lived together at this time and demoed over 50 songs for Hi-Fi Revival in their basement. 17 of the un-used songs made it on to their side ...
If you mix Stephen Curtis Chapman’s tight songwriting with MercyMe’s power rock you come out with Into the Light, Matthew West’s fourth studio project. And though there is a clear production sheen and accessibility, the key with West goes beyond his catchy writing style—he fills his radio-ready tunes with a heart and depth rarely heard ...