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À la très chère, à la très belle, Qui remplit mon coeur de clarté, À l'ange, à l'idole immortelle, Salut en immortalité, Salut en immortalité! Elle se répand dans ma vie, Comme un air imprégné de sel, Et dans mon âme inassouvie, Verse le goût de l'Eternel. Sachet toujours frais qui parfume l'athmosphère d'un cher réduit,
The term tonalité (tonality) was first used in 1810 by Alexandre Choron in the preface Sommaire de l'histoire de la musique [26] to the Dictionnaire historique des musiciens artistes et amateurs (which he published in collaboration with François-Joseph-Marie Fayolle) to describe the arrangement of the dominant and subdominant above and below ...
The Chanson de l'Oignon (French pronunciation: [ʃɑ̃sɔ̃ də lɔɲɔ̃]; "Song of the Onion") is a French marching song from around 1800 but the melody can be found earlier in Ettiene Nicolas Mehul’s overture to La chasse de Juene Henri in 1797. According to legend, it originated among the Old Guard Grenadiers of Napoleon Bonaparte's ...
Three Concert Études (Trois études de concert), S.144, is a set of three piano études by Franz Liszt, composed between 1845–49 and published in Paris as Trois caprices poétiques with the three individual titles as they are known today.
"Mon amour" (French pronunciation: [mɔ̃n‿amuʁ]; transl. "My love") is a song by French singer Slimane, released on 8 November 2023 by Noé Music.It was later released on Essentiels, a best-of album.
Riedl and Schnebel inspired Huber's vocal and linguistic experiments. Riedl in particular encouraged Huber's radical tendencies. [2] His treatment of musical material was most strongly formed by his contact with Stockhausen, while Nono inspired in him an acute historical and political (Marxist) awareness, particularly evident in his second compositional phase, beginning around 1969. [1]
The benefits of chia seeds come from protein, fiber, antioxidants and omega-3 fatty acids. A dietitian explains how many chia seeds to eat in a day and risks.
Bagatelle sans tonalité ("Bagatelle without tonality", S.216a) is a piece for solo piano written by Franz Liszt in 1885. The manuscript bears the title "Fourth Mephisto Waltz" [1] and may have been intended to replace the piece now known as the Fourth Mephisto Waltz when it appeared Liszt would not be able to finish it; the phrase Bagatelle ohne Tonart actually appears as a subtitle on the ...