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Andalusi classical music (Arabic: طرب أندلسي, romanized: ṭarab ʾandalusī; Spanish: música andalusí), also called Andalusi music or Arab-Andalusian music, is a genre of music originally developed in al-Andalus by the Muslim population of the region and the Moors.
Andalusī nūbah (نوبة أندلسيّة), also transliterated nūba, nūbā, or nouba (pl. nūbāt), or in its classical Arabic form, nawba, nawbah, or nōbah, is a music genre found in the North African Maghrib states of Morocco, Algeria, Tunisia, and Libya but, as the name indicates, it has its origins in Andalusi music.
Arabic music (Arabic: الموسيقى العربية, romanized: al-mūsīqā l-ʿarabiyyah) is the music of the Arab world with all its diverse music styles and genres. Arabic countries have many rich and varied styles of music and also many linguistic dialects , with each country and region having their own traditional music .
It took the melodies of Andalusian music and modernized them. Haouzi music is most often played at weddings and ceremonies. Khaled known as Cheb Khaled, is considered as the King of Rai music, has achieved international fame, as Rai music is very popular in Algeria, Morocco France, Tunisia, Turkey, Libya, and Egypt. Staifi is a genre of music ...
The Qudud Al-Halabiya (Arabic: قدود حلبية, romanized: Qudūd Ḥalabīya, literally "musical measures of Aleppo") are traditional Syrian songs combining lyrics in Classical Arabic based on the poetry of Al-Andalus, particularly that in muwashshah form, with old religious melodies collected mainly by Aleppine musicians. [1]
Mohsen composed, arranged, (re)interpreted and performed music for television, plays, films and live audiences. After receiving a grant to record his second classical Arabic music (instrumental) CD, Subhi (also known as Abu Kinaan) died as a result of an accident on August 2, 2009, in Ramallah. He was buried in Al-Bireh.
Considered to be the classical music of Azerbaijan, the mugham is a traditional musical form characterized by a large degree of improvisation and draws upon popular stories and local melodies. The recent evolution of the cultural industry has threatened the improvisational nature and the ear-to-ear transmission of this art form.
The word "music" in Arabic, the language of Islam, (mūsīqā موسيقى) is defined more narrowly than in English or some other languages, and "its concept" was at least originally "reserved for secular art music; separate names and concepts belonged to folk songs and to religious chants". [1]
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