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Meno (/ˈmiːnoʊ/; Greek: Mένων, Menōn; c. 423 – c. 400 BC), son of Alexidemus, was an ancient Thessalian political figure, probably from Pharsalus. [1]He is famous both for the eponymous dialogue written by Plato and for his role as one of the generals leading different contingents of Greek mercenaries in Xenophon's Anabasis.
Aristippus obtained money and troops from Cyrus the Younger to resist a faction opposed to him, and placed the general Meno, who is described in ancient sources as Aristippus's lover, in command over these forces. [1] [2] [3] [4]
Meno (/ ˈ m iː n oʊ /; Ancient Greek: Μένων, Ménōn) is a Socratic dialogue written by Plato around 385 BC., but set at an earlier date around 402 BC. [1] Meno begins the dialogue by asking Socrates whether virtue (in Ancient Greek: ἀρετή, aretē) can be taught, acquired by practice, or comes by nature. [2]
Much-Binding-in-the-Marsh was a comedy show broadcast from 1944 to 1950 and from 1951 to 1954 by BBC Radio, and from 1950 to 1951 by Radio Luxembourg.It was written by and starred Richard Murdoch and Kenneth Horne as officers in a fictional Royal Air Force station coping with red tape and the inconveniences and incongruities of life in the Second World War.
Meno (general), the Thessalian general and title character in Plato's Meno; Meno's slave, a character in Plato's Meno; meno, a musical term meaning less, as in meno mosso (less quickly); see Tempo § Common qualifiers
It deals with the youth of Cyrus the Great and draws on the first book of Herodotus's Histories and Marcus Iunianus Iustinus's extract from the first book of Pompeius Trogus's Historiae Philippicae, along with elements from the sixth and seventh book of Ctesias's Persica and the first book of Valerius Maximus's Historiae.
"D.R.E.A.M." (an acronym for "Drugs Rule Everything Around Me") [3] is a song by American singer Miley Cyrus from her second extended play, She Is Coming (2019). It features guest vocals by American rapper Ghostface Killah, and was written by Cyrus, Killah, John Cunningham, RZA, and Ilsey Juber, while being
The song is performed in the key of A major, with a moderately fast tempo of 122 beats per minute in common time.Cyrus vocals span from E 3 to Db 5. [5] Lyrically, Ben Kate of Consequence of Sound described the track as "a soaring reclamation of changes Cyrus experienced over the last several years, ending with a declaration she now is the best version of herself.