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Shaggy & Friends is the ninth studio album released by Jamaican dancehall artist Shaggy, released exclusively via digital download on January 19, 2011. [1] It is Shaggy's first album ever not to be issued physically. The album was his first studio album in four years, following 2007's Intoxication. The album was entirely produced by Shaggy.
"Luv Me, Luv Me" is a song by Jamaican-American reggae singer Shaggy. It was first released in 1998 with Janet Jackson credited as a featured artist. The song was re-recorded in 2000 with Samantha Cole's vocals after Jackson's label withheld the song from being included on Shaggy's next album.
"Boombastic" was a major hit all over the world, becoming Shaggy's most successful song to date. It peaked at number one in Australia, [2] El Salvador, [3] Ireland, [4] Italy, [5] New Zealand, [2] Sweden, [2] and the UK, where it topped the UK Singles Chart in September 1995.
The main release of the single "Habibi (I Need Your Love)" has the vocal collaborations of the Jamaican reggae singer and deejay Shaggy (Orville Richard Burrell), the Swedish singer of Congolese and Swedish origins Mohombi (Mohombi Nzasi Moupondo), as well as co-writers and performers the Australian-Lebanese singer Faydee (Fady Fatrouni) and Romanian Costi Ioniță.
Origins for the album date back to March 1999, as some sites report that an album, titled the Ultimate Shaggy Collection, was released on March 23, 1999.The album included material from Shaggy's first four studio albums, as well as the original version of "Luv Me, Luv Me", which featured Janet Jackson, and three new songs—"The Reggae Virus", featuring Mad Lion and KRS One, "True Dat" and ...
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Conference foes No. 17 BYU and No. 23 Colorado will square off on Saturday night in the Alamo Bowl in San Antonio. The Cougars (10-2) and Buffaloes (9-3) once had their sights set on a Big 12 ...
That’s evident from the opening track and title song, a cheerfully irreverent reworking of a classic spiritual. Producer Sting International frames Shaggy’s lighthearted rapping with fat, squishy beats and unexpected samples--like a 'Carmen' aria on 'Bedroom Bounty Hunter' and the 'Peter Gunn' theme on 'Oh Carolina'." [3]