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The phrase "image of God" is found in three passages in the Hebrew Bible, all in the Book of Genesis 1–11: . And God said: 'Let us make man in our image/b'tsalmeinu, after our likeness/kid'muteinu; and let them have dominion over the fish of the sea, and over the fowl of the air, and over the cattle, and over all the earth, and over every creeping thing that creepeth upon the earth.'
Catholicism interprets the commandment not to make "any graven image, or any likeness of any thing that is in heaven above" to mean to not "bow down and worship" the image in and of itself nor a false god through the image. Catholic theology offers the following explanations of liturgical practice that features images, icons, statues, and the like:
It is interesting that in Russian Orthodoxy, depictions of God the Father are prohibited. However, when the movement of antitrinitrarians became strong in medieval Novgorod, a new type of iconography appeared: Spas Vethiy Denmi - The Savior Old with Days or Christ as the Ancient of Days. In this type of icon, Jesus Christ is depicted as an old ...
Church leaders defended images of Christ on the basis that they were representations of the true incarnation of God and clarified the relationship between an image and the one depicted by the image. The principle of respected worship is that, in honoring an image, the honor is to paid not to the image itself, but the one who is portrayed.
The meaning of spirituality has developed and expanded over time, and various meanings can be found alongside each other. [1] [2] [3] [note 1] Traditionally, spirituality is referred to a religious process of re-formation which "aims to recover the original shape of man", [note 2] oriented at "the image of God" [4] [5] as exemplified by the founders and sacred texts of the religions of the world.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
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The development of full images of God the Father in Western art was much later, and the aged white-haired appearance of the Ancient of Days gradually became the conventional representation, after a period of experimentation, especially in images the Trinity, where all three persons might be shown with the appearance of Jesus.