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The cutting of the Gordian Knot is an Ancient Greek legend associated with Alexander the Great in Gordium in Phrygia, regarding a complex knot that tied an oxcart. Reputedly, whoever could untie it would be destined to rule all of Asia. In 333 BC Alexander was challenged to untie the knot.
In Greek mythology, Merope / ˈ m ɛr ə p iː / [1] (Ancient Greek: Μερόπη) is one of the seven Pleiades, daughters of Atlas and Pleione. Pleione, their mother, is the daughter of Oceanus and Tethys and is the protector of sailors. [2] Their transformation into the star cluster known as the Pleiades is the subject of various myths.
In Greek mythology, Rhadamanthus (/ ˌ r æ d ə ˈ m æ n θ ə s /) or Rhadamanthys (Ancient Greek: Ῥαδάμανθυς) was a wise king of Crete. As the son of Zeus and Europa he was considered a demigod. He later became one of the judges of the dead and an important figure in Greek mythology.
Helios' most notable role in Greek mythology is the story of his mortal son Phaethon. [2] In the Homeric epics , his most notable role is the one he plays in the Odyssey , where Odysseus ' men despite his warnings impiously kill and eat Helios's sacred cattle that the god kept at Thrinacia , his sacred island.
The name is of Greek etymology. According to R. S. P. Beekes, "[t]he suffixes [-ισσος] clearly points to a Pre-Greek word." [1] The word narcissus has come to be used for the daffodil, but there is no clarity on whether the flower is named for the myth or the myth for the flower, or if there is any true connection at all.
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In Greek mythology, the Old Man of the Sea (Ancient Greek: ἅλιος γέρων, romanized: hálios gérōn; Greek: Γέροντας της Θάλασσας, romanized: Yérondas tis Thálassas) was a figure who could be identified as any of several water-gods, generally Nereus or Proteus, but also Triton, Pontus, Phorcys or Glaucus.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.