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During antiquity, the temple was home to the famous Greek prophetess the Pythia, or the Oracle of Delphi, making the Temple of Apollo and the sanctuary at Delphi a major Panhellenic religious site as early as the 8th century B.C.E., and a place of great importance at many different periods of ancient Greek history. [3]
In Greek mythology, Aegyptus or Ægyptus (/ ɪ ˈ dʒ ɪ p t ə s /; Ancient Greek: Αἴγυπτος) was a legendary king of ancient Egypt. [1] He was a descendant of the princess Io through his father Belus, and of the river-god Nilus as both the father of Achiroe, his mother and as a great, great-grandfather on his father's side.
Thespis (c. 6th century BC): Aeschylus (c. 525–456 BC): The Persians (472 BC) Seven Against Thebes (467 BC) The Suppliants (463 BC) The Oresteia (458 BC, a trilogy comprising Agamemnon, The Libation Bearers and The Eumenides.) Prometheus Bound (authorship and date of performance is still in dispute) Phrynichus (~511 BC): The Fall of Miletus ...
Cecrops (/ ˈ s iː k r ɒ p s /; Ancient Greek: Κέκροψ, romanized: Kekrops; gen Κέκροπος, Kékropos) was a legendary king of Attica which derived from him its name Cecropia, according to the Parian Chronicle having previously borne the name of Acte or Actice (from Actaeus).
In Greek mythology, the Hecatoncheires (Ancient Greek: Ἑκατόγχειρες, romanized: Hekatóncheires, lit. 'Hundred-Handed Ones'), also called Hundred-Handers or Centimanes [1] (/ ˈ s ɛ n t ɪ m eɪ n z /; Latin: Centimani), were three monstrous giants, of enormous size and strength, each with fifty heads and one hundred arms.
Typhon mythology is part of the Greek succession myth, which explained how Zeus came to rule the gods. Typhon's story is also connected with that of Python (the serpent killed by Apollo), and both stories probably derived from several Near Eastern antecedents. Typhon was (from c. 500 BC) also identified with the Egyptian god of destruction Set.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.
The contest-riddle was a known form of riddling. So riddling pervaded Greek life on many levels and during many occasions. [11] A key source for this culture is Athenaeus. [12] The most famous Classical riddle is the Riddle of the Sphinx: Oedipus killed the Sphinx by grasping the answer to the riddle it posed. [13]