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Perfectly imperfect. Everyone is a little broken inside, trying to find their band aid". [8] He also explained the song by saying "This song is about finding someone who is just as fucked up and lost as you are, but somehow you make it work together. Everyone is a little bit broken inside, nobody's perfect. This song is an ode to the broken ...
It peaked at number 10 on the Billboard Radio Songs chart (airplay chart across all genres), number 14 on the Mainstream Top 40 chart (airplay chart for pop songs), [7] and number 29 on the Billboard Hot 100. [8] The single became the band's first top 10 on the Billboard Radio Songs chart and first top 40 on the Hot 100. It was also one of the ...
The song became Monica's sixteenth chart entry on the Hot 100, also becoming Cole's highest-peaking single from the album. The accompanying music video for "Trust", directed by Chris Robinson, was ranked at 15th on BET's Notarized: Top 100 Videos of 2009 countdown. It also peaked on top on BET's 106 & Park.
An accompanying music video for "We Can't Be Friends (Wait for Your Love)", directed by Christian Breslauer, was released simultaneously with the single. The concept for the video was inspired by the plot of the 2004 film Eternal Sunshine of the Spotless Mind and features Grande undergoing a memory erasure procedure to forget her ex-boyfriend ...
"Trust and Believe" is a song by R&B singer/songwriter Keyshia Cole. It serves as the second single from her fifth studio album, Woman to Woman and the follow-up to " Enough of No Love ". It debuted on October 2, 2012 on Cole's official website and was first released for digital download on October 22, 2012.
"Trust Issues" is an R&B song that examines the suffering and ambiguity that result from negotiating the complexities of interpersonal relationships. [11] Chris Coplan of Consequence described it as "half confessional, half ode to drank", [ 12 ] and Singersroom described stated that it intensifies to a powerful conclusion as Drake's vocals soar ...
The videos begin with both people saying, “We listen and we don’t judge” in unison. Many creators, however, seem to struggle with the not judging part, responding with shocked faces and open ...
The song was written and produced by Wayne Brathwaite and Barry Eastmond; Ocean was also credited as a co-writer for the song. The song reached number one on the Billboard Hot 100 for the week beginning 5 July 1986, where it remained for one week, becoming the 600th different song [ citation needed ] to ascend to that position.