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The term libretto is also sometimes used to refer to the text of major liturgical works, such as the Mass, requiem and sacred cantata, or the story line of a ballet. The Italian word libretto (pronounced, plural libretti) is the diminutive of the word libro ("book").
Today, a new trend is the Marconi multimedia patented interactive electronic libretto technology, installed in 2011 in the Royal Opera House Muscat, [4] Sultanate of Oman and in 2013 at the Musiktheater Linz, Wiener Staatsoper Austria and Stavros Niarchos Cultural center ( Athens). The event on stage become an interactive and multimedia ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
Sound and music computing (SMC) is a research field that studies the whole sound and music communication chain from a multidisciplinary point of view. By combining scientific, technological and artistic methodologies it aims at understanding, modeling and generating sound and music through computational approaches.
With; used in very many musical directions, for example con allegrezza (with liveliness), con calma (calmly lit. ' with calm '); (see also col and colla) con dolcezza See dolce con sordina or con sordine (plural) With a mute, or with mutes. Frequently seen in music as (incorrect Italian) con sordino, or con sordini (plural). concerto
Definition A cappella: in chapel style: Sung with no (instrumental) accompaniment, has much harmonizing Aria: air: Piece of music, usually for a singer Aria di sorbetto: sorbet air: A short solo performed by a secondary character in the opera Arietta: little air: A short or light aria Arioso: airy A type of solo opera or operetta Ballabile ...
The American company called Figaro Systems established by Patrick Markle, Geoff Webb, and Ron Erkman developed the first assistive technology for individualized libretto-reading for audiences. [12] This technology allows the audience to select their preferred language from a list or simply turn it off, watching the performance without surtitles.
Computer and synthesizer technology joining together changed the way music is made and is one of the fastest-changing aspects of music technology today. Max Mathews, an acoustic researcher [9] at Bell Telephone Laboratories' Acoustic and Behavioural Research Department, is responsible for some of the first digital music technology in the 1950s.