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The King Wolf, pyrography on olive wood by Roberto Frangioni Piroritrattista Framàr. Pyrography or pyrogravure is the free handed art of decorating wood or other materials with burn marks resulting from the controlled application of a heated object such as a poker. It is also known as pokerwork or wood burning. [1]
Grand Traverse Band Kelly Church, Wasco-Wishram Pat Gold, and Eastern Band Cherokee Joel Queen all weave baskets from copper sheets or wire, and Mi'kmaq-Onondaga conceptual artist Gail Tremblay weaves baskets in the traditional fancywork patterns of her tribes from exposed film. Basketry can take many forms.
The simple pictorial language of Warli painting is matched by a rudimentary technique. The ritual paintings are usually created on the inside walls of village huts. The walls are made of a mixture of branches, earth and red brick that make a red ochre background for the paintings. The Warli only paint with a white pigment made from a mixture of ...
Pre-European Māori had no written language so tribal history and beliefs were kept in the form of objects ranging from woven baskets to complex carvings in wood, bone, shell and greenstone. These objects or 'taonga' were passed down through generations of tribal elders, taking on the spirits of past owners.
Tribal art is the visual arts and material culture of indigenous peoples. Also known as non-Western art or ethnographic art , or, controversially, primitive art , [ 1 ] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums .
Light burning is also been called "Paiute forestry," a direct but derogatory reference to southwestern tribal burning habits. [52] The ecological impacts of settler fires were vastly different than those of their Native American predecessors. Cultural burning practices were functionally made illegal with the passage of the Weeks Act in 1911. [53]
Wood carving has always been an essential part of Aboriginal culture, requiring wood, sharp stone to carve, wire and fire. The wire and fire were used to create patterns on the object by heating the wire with the fire and placing it on the wood carving.
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1]
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