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These large vases were found mostly in Italy, which means that most of the vases that the painter and workshop were producing were for the Italian market. Twelve of the forty-five vases were found in different parts of Italy such as Etruria, Capua, Nola, Taranto and South Italy as well. With the number of vases going to Italy one can conclude ...
The strength of Mason's ironstone body enabled the company to produce ornamental objects of considerable size [8] [9] including vestibule vases 1.5 metres high [10] and mantelpieces assembled from several large sections. [11] Antique ironstone wares are collectable, and in particular items made by Mason's. [12]
Vase by Es-Keramik with volcanic glaze, but not "fat lava". The terms Fat Lava and West German Art Pottery are often used interchangeably, but technically have a different meaning. Fat Lava refers specifically to a type of thick glazes that gives the object a thick lava-like look. This type of glaze was commonly used in this period by German ...
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The Dipylon Amphora (also known as Athens 804) is a large Ancient Greek painted vase, made around 760–750 BC, and is now held by the National Archaeological Museum, Athens. Discovered at the Dipylon cemetery, this stylistic vessel belonging to the Geometric period is credited to an unknown artist: the Dipylon Master.
The Kerch style / ˈ k ɜːr tʃ /, also referred to as Kerch vases, is an archaeological term describing vases from the final phase of Attic red-figure pottery production. Their exact chronology remains problematic, but they are generally assumed to have been produced roughly between 375 and 330/20 BC.
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