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Japanese calligraphy (書道, shodō), also called shūji (習字), is a form of calligraphy, or artistic writing, of the Japanese language. Written Japanese was originally based on Chinese characters only , but the advent of the hiragana and katakana Japanese syllabaries resulted in intrinsically Japanese calligraphy styles.
Kakizome (書き初め, literally "first writing") is a Japanese term for the first calligraphy written at the beginning of a year, traditionally on January 2. Other terms include kissho ( 吉書 ), shihitsu ( 試筆 ) and hatsusuzuri ( 初硯 ).
Decorative kakemono and ikebana in an onsen hotel. A kakemono (掛物, "hanging thing"), more commonly referred to as a kakejiku (掛軸, "hung scroll"), is a Japanese hanging scroll used to display and exhibit paintings and calligraphy inscriptions and designs mounted usually with silk fabric edges on a flexible backing, so that it can be rolled for storage.
Hitsuzendō (筆禅道, "way of Zen through brush") is believed by Zen Buddhists to be a method of achieving samādhi (Japanese: 三昧 sanmai), which is a unification with the highest reality. [ clarification needed ] Hitsuzendo refers specifically to a school of Japanese Zen calligraphy to which the rating system of modern calligraphy (well ...
Fujiwara no Yukinari (藤原 行成, 972 – January 3, 1028 [1]), also known as Fujiwara no Kōzei, [2] was a Japanese calligrapher (shodoka) during the Heian period. He was memorialized for his prowess in his chosen art by being remembered as one of the outstanding Three Brush Traces ( Sanseki 三跡), along with Ono no Michikaze and Fujiwara ...
Bokuseki (墨跡) is a Japanese term meaning "ink trace", and refers to a form of Japanese calligraphy and more specifically a style of zenga developed by Zen monks. Bokuseki is often characterized by bold, assertive, and often abstract brush strokes meant to demonstrate the calligrapher's pure state of mind (see Samadhi).
The subjects painted likewise vary widely, but are generally elements mentioned in the calligraphy, or poetic images which add meaning or depth to that expressed by the poem. The moon is a common subject in these poems and paintings, sometimes represented by the Zen circle ensō, which evokes a number of other meanings, including that of the void.
Zenga is a style of Chinese and Japanese calligraphy and painting, done in ink. The term is most often used for artwork by Buddhist monks, often without formal artistic training, and is sometimes contrasted with "nanga," or "literati painting," made by scholars. [1] In many instances, both calligraphy and image will be in the same piece.
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