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Black composer and musician Thomas A. Dorsey, became a highly influential figure in Black gospel music beginning in the 1920s and 1930s. He earned the title of the “Father of Gospel Music” for ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
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The lyrics of Albertina Walker’s classic Black gospel song serve as a blueprint for negotiating the patience love and marriage […] The post ‘Please, be patient with me’: Spiritual homework ...
What most African Americans would identify today as "gospel" began in the early 20th century. The gospel music that Thomas A. Dorsey, Sallie Martin, Willie Mae Ford Smith and other pioneers popularized had its roots in the blues as well as in the more freewheeling forms of religious devotion of "Sanctified" or "Holiness" churches—sometimes called "holy rollers" by other denominations — who ...
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
"Ezekiel Saw the Wheel", often given as "Ezekiel Saw de Wheel" is an African American spiritual.The song's music and text has no known author, but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
The shout music tradition originated within the church music of the Black Church, parts of which derive from the ring shout tradition of enslaved people from West Africa.As these enslaved Africans, who were concentrated in the southeastern United States, incorporated West African shout traditions into their newfound Christianity, the Black Christian shout tradition emerged—albeit not in all ...
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