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A 2016 stamp featuring Philippine traditional musical instruments Philippine folk music "Sungay ng Kalabaw" Philippine traditional musical instruments are commonly grouped into four categories: aerophones , chordophones , membranophones , and idiophones .
Philippine folk instruments (3 C, 5 P) Pages in category "Philippine musical instruments" The following 36 pages are in this category, out of 36 total.
Jazz music in the Philippines originated during the American occupation of the Philippines between 1910s and 1920s. At this period, Filipinos began experimenting with Afro-American and Hispano-Filipino music. One of the notable musicians of this age was the self-proclaimed "King of Jazz", Luis Borromeo.
Sulibao (right) on a 2016 stamp sheet of the Philippines. A solibao is a conical tenor drum played by the Bontoc and Ibaloi people of the Philippines. It is played with the palms of both hands. It usually appears as part of an ensemble along with the kimbal, pinsak, kalsa and palas. [1] Sulibao is made from a hollowed out log covered with deer ...
The tumpong (also inci among the Maranao) is a type of Philippine bamboo flute used by the Maguindanaon, half the size of the largest bamboo flute, the palendag. A lip-valley flute like the palendag, the tumpong makes a sound when players blow through a bamboo reed placed on top of the instrument and the air stream produced is passed over an ...
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
The kulintang a kayo (literally, “wooden kulintang”) is a Philippine xylophone of the Maguindanaon people with eight tuned slabs strung horizontally atop a padded wooden antangan (rack). Made of hand-carved soft wood such as bayug (genus Pterospermum) or more likely tamnag (genus unknown), the kulintang a kayo is rarely found except in ...
Traditionally, the dabakan is considered a masculine instrument by the Maranao [2] and a feminine instrument by the Maguindanao [6] [9] but as a sign of the times, one could see both men and women handling the dabakan. [5] In wooden kulintang ensembles, the takemba, a bamboo zither of the Manobo, is usually substituted for the dabakan part. [4]
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