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A photograph showing simplicity should have a clear reason the subject was chosen. The reason for taking the picture should be clearly evident. All unrelated topics should not be present. This relates to shallow depth of field as well, which blurs out the background and focuses on what is the main subject of the photograph. Whether said subject ...
Minimalist photography is a form of photography that is distinguished by austere simplicity. [1] It emphasizes sparseness and careful composition, shying away from overabundance of color, patterns, or information.
This category contains categories and articles relating to the theory and methodology of composing and/or taking photographs, or to their manipulation during or after processing.
The composition techniques in photography are mere guidelines to help beginners capture eye-catching images. These provide a great starting point until an individual is able to outgrow them in capturing images through more advance techniques.
In visual arts, music and other media, minimalism is an art movement that began in the post-war era in Western art. The movement is often interpreted as a reaction to abstract expressionism and modernism; it anticipated contemporary post-minimal art practices, which extend or reflect on minimalism's original objectives. [1]
Photography and non-logical form is a book and research concept by art critic and art historian Ekaterina Vasilyeva. [1] The book provides an idea that draws attention to the irrational basis of photography. [2] The study considers photography as a tool that reveals the irrational and archaic principle of thinking.
Pictorialism is an international style and aesthetic movement that dominated photography during the later 19th and early 20th centuries. There is no standard definition of the term, but in general it refers to a style in which the photographer has somehow manipulated what would otherwise be a straightforward photograph as a means of creating an image rather than simply recording it.
Camera Lucida: Reflections on Photography (French: La Chambre claire, pronounced [la ʃɑ̃bʁ klɛʁ]) is a short book published in 1980 by the French literary theorist and philosopher Roland Barthes. It is simultaneously an inquiry into the nature and essence of photography and a eulogy to Barthes' late mother. The book investigates the ...