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The C–C–G–C–E–G tuning uses some of the harmonic sequence (overtones) of the note C. [33] [34] This overtone-series tuning was modified by Mick Ralphs, who used a high C note rather than the high G note for "Can't Get Enough" on Bad Company. Ralphs said, "It needs the open C to have that ring," and "it never really sounds right in ...
English: 1The new standard tuning of Robert Fripp and his Guitar Craft (Guitar Circle)—also called C-major pentatonic tuning or Guitar Craft tuning ("Crafty" tuning). The diagrams provide basic chords for a beginning guitarist. With the accompanying audio files (especially the WAV file), the chords sample the harmonic palette of new standard ...
The Drop C variation of this tuning (C-C-G-C-F-A-D) was used by James Hetfield on an ESP 7-String Guitar when Metallica were recording the song "Some Kind Of Monster" from the album St. Anger. Drop A 7-string tuning – A'-E-A-d-g-b-e' This is the standard seven-string tuning with the low B string dropped to A. Standard Choro tuning – C-E-A-d ...
Low C6 tuning either: G-A-C-E-G-A-C-E. F-A-C-E-G-A-C-E. On a ten-string neck, typical of pedal steel guitars, a popular C6 tuning is C-F-A-C-E-G-A-C-E-G, adding two bass strings to the high eight-string tuning, or one string on either side of the F-bass low tuning. This is sometimes called the "Texas tuning". [1] Another frequent variant is the ...
The augmented-fourths tuning is the only tuning (other than the 'trivial' tuning C–C–C–C–C–C) for which all chords-forms remain unchanged when the strings are reversed. Thus the augmented-fourths tuning is its own 'lefty' tuning."
C tuning. C tuning is a type of guitar tuning. The strings of the guitar are tuned two whole steps lower than standard tuning. The resulting notes can be described most commonly as C-F-A♯-D♯-G-C or C-F-B♭-E♭-G-C. This is not to be confused with C ♯ tuning, which is one and one half steps lower than standard tuning.
However, Johann Sebastian Bach chose C-sharp major for Prelude and Fugue No. 3 in both books of The Well-Tempered Clavier. In Hungarian Rhapsody No. 6 , Franz Liszt takes the unusual step of changing the key from D-flat major to C-sharp major near the start of the piece, and then back again to B-flat minor.
For the English guitar the open chord is C major (C–E–G–C–E–G); [67] for the Russian guitar which has seven strings, G major (G–B–D–G–B–D–G). [ 68 ] [ 69 ] [ 70 ] Mixing a perfect fourth and a minor third along with a major third, these tunings are on-average major-thirds regular-tunings.