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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
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Many of the CDs compile songs from various singles and albums that Amha Records, Kaifa Records and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on Éthiopiques releases include Alemayehu Eshete , Asnaketch Worku , Mahmoud Ahmed , Mulatu Astatke and Tilahun Gessesse .
Elias Melka Geresu ኤሊያስ መልካ ገረሱ (10 December 1977 – 4 October 2019) was an Ethiopian record producer and songwriter. Elias became popular after successfully composing Teddy Afro's debut album Abugida, which was released in 2001.
The Ethiopian traditional music embodied with strong oral-literature style. In this case, the traditional music is played by local entertainers called azmaris. Music in Ethiopia was originated, as part of Christian religious service during Yared-era in the 6th century. Muslim form called manzuma also developed in Harar and Jimma. [1]
The Rough Guide to the Music of Ethiopia is a world music compilation album originally released in 2012.Part of the World Music Network Rough Guides series, the release contains two discs: an overview of the music of Ethiopia—focusing mainly on 21st century pop—is found on Disc One, while Disc Two features dub-style musician Invisible System. [1]
The album was released independently by RAEY Records. A shorter version of the album, named Reflection E.P. was released by the Ghanaian label Akwaaba Music. Reflection was deeply rooted in raw traditional Ethiopian music but also mixing futuristic aesthetics into the powerful songs which reflected Rophnan's generation and artistic vision ...
Alemayehu Eshete Andarge (Amharic: ዓለማየሁ እሸቴ አንዳርጌ; June 1941 – 2 September 2021) was an Ethiopian singer, widely known as the "Abyssinian Elvis" for his dynamic performances and his fusion of traditional Ethiopian music with Western rock and roll influences. [2]