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Barney used GDAE tuning on a 17-fret tenor banjo, an octave below fiddle/mandolin and, according to musician Mick Moloney, was single-handedly responsible for making the GDAE-tuned tenor banjo the standard banjo in Irish music.
The shorter-necked, tenor banjo, with 17 ("short scale") or 19 frets, is also typically played with a plectrum. It became a popular instrument after about 1910. Early models used for melodic picking typically had 17 frets on the neck and a scale length of 19 1 ⁄ 2 to 21 1 ⁄ 2 inches.
The Vegavox was produced primarily in four-stringed plectrum (22-fret) and tenor (19-fret) versions; however, some five-string models were made as special orders. Peabody also developed a special electric banjo—first with Vega, and later with the Fender Company and Rickenbacker—called the Banjoline.
guitars, mandolins, banjos, ukuleles,, violins Favilla Guitars, Inc. was a family-run musical instrument company which produced quality string instruments for approximately 96 years until 1986. Originally called "Favilla Bros.", the company built guitars , mandolins , banjos , ukuleles , and violins .
Another pre-civil war banjo was made by A.B. Bullock in Rhode Island; the 1854-made fretless banjo has a metal body with bolts to adjust the tension of the skin head. [17] A post-Civil War banjo on display from the 1880s used a wooden hoop tacked to the instrument's body on the outside to adjust the skin-head's tension. [18]
There were normally two of these instruments in a typical banjo orchestra. The banjeaurine has a shorter neck than traditional banjos, with a scale between 19" and 20", a fretboard extension that is cantilevered over the head, and either 17 or 19 frets. Most banjeaurines, especially early ones, have 12"- to 12-1/2"-diameter rims.
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