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A connoisseur (French traditional, pre-1835, spelling of connaisseur, from Middle-French connoistre, then connaître meaning 'to be acquainted with' or 'to know somebody/something') is a person who has a great deal of knowledge about the fine arts; who is a keen appreciator of cuisines, fine wines, and other gourmet products; or who is an expert judge in matters of taste.
Among US collectors of the early 1900s, Berenson was regarded as the pre-eminent authority on Renaissance art.Early in his career, Berenson developed his own unique method of connoisseurship by combining the comparative examination techniques of Giovanni Morelli with the aesthetic idea put forth by John Addington Symonds that something of an artist's personality could be detected through his ...
This is a chronological list of periods in Western art history. An art period is a phase in the development of the work of an artist , groups of artists or art movement . Ancient Classical art
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Giovanni Morelli. Giovanni Morelli (25 February 1816 – 28 February 1891) was an Italian art critic and political figure. [1] As an art historian, he developed the "Morellian" technique of scholarship, identifying the characteristic "hands" of painters through scrutiny of diagnostic minor details that revealed artists' scarcely conscious shorthand and conventions for portraying, for example ...
The Connoisseur, a periodical on fine art, collectables and antique furniture founded in 1901, closed in 1992; The Connoisseur, a London weekly 18th century newspaper; The Connoisseur, a 1962 work by Norman Rockwell; Connoisseur Society, a US audiophile classical and music jazz record label; Other uses:
She participated in the adoption of the 'historical standpoint' method of research, a shift in art criticism that emerged in the early twentieth century. She was a student of Giovanni Morelli and his methods of connoisseurship , which involved assembling subtle clues and recognition of personal technique, the artist's 'hand', to determine a ...
14th-century Islamic ornament in ivory, centred on a palmette; Alois Riegl's Stilfragen (1893) traced the evolution and transmission of such motifs.. Classical art criticism and the relatively few medieval writings on aesthetics did not greatly develop a concept of style in art, or analysis of it, [12] and though Renaissance and Baroque writers on art are greatly concerned with what we would ...