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Saturn (1636) by Rubens. Saturn or Saturn Devouring His Son is a 1636 painting by the Flemish artist Peter Paul Rubens, now in the Museo del Prado, in Madrid. [1]It was commissioned for the Torre de la Parada by Philip IV of Spain and shows the influence of Michelangelo on Rubens, which he had picked up on his journey to Italy.
Saturn Devouring His Son is a painting by Spanish artist Francisco Goya. It is traditionally considered a depiction of the Greek myth of the Titan Cronus , whom the Romans called Saturn , eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him.
Saturn (Rubens) Saturn Devouring His Son; T. Triumph of Neptune and Amphitrite This page was last edited on 2 May 2024, at 01:42 (UTC). Text ...
Saturn (Rubens) Saturn Devouring His Son This page was last edited on 6 March 2024, at 13:31 (UTC). Text is available under the Creative Commons ...
There has been debate about the extent to which Goya was influenced by Rubens. Goya's Saturn Devouring His Son, c. 1819–1823 suggests a familiarity with Rubens' 1636 version in the Prado. Kenneth Clark considered The Second of May 1808 an "artistic failure ... perhaps he could not shake off the memory of similar compositions by Rubens". [2]
Saturn Devouring His Son is a painting, titled by art critics, created by Spanish artist Francisco Goya and painted onto the walls of his home along with 13 others. According to the traditional interpretation, it depicts the Greek myth of the Titan Cronus (in the title Romanised to Saturn), who, fearing that he would be overthrown by his ...
Saturn Devouring His Son, one of the Black Paintings by Goya (1819–1823). A series of parallel themes also exist in Disasters of War and the eponymous unnumbered print The Giant or Colossus, dating from between 1814 and 1818, [4] which shows a giant seated in a dark and desolate landscape with a crescent moon in the top corner. However, the ...
The Massacre of the Innocents is the subject of two paintings by Peter Paul Rubens depicting the episode of the biblical Massacre of the Innocents of Bethlehem, as related in the Gospel of Matthew (2:13–18). The first, measuring 142 x 182 cm, was painted after his return to his native Antwerp in 1608, following eight years spent in Italy. [1]