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dramatic character dramatic irony dramatic lyric dramatic monologue dramatic proverb dramatis personæ Collectively, the characters represented in a play or other dramatic work. This phrase is the conventional heading for a list of characters printed in a theatrical programme or at the beginning of the text. [35] dramaturgy dream allegory dream ...
Drama is the specific mode of fiction represented in performance: a play, opera, mime, ballet, etc., performed in a theatre, or on radio or television. [1] Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle's Poetics (c. 335 BC)—the earliest work of dramatic theory.
Dramatic, a voice type classification in European classical music, describing a specific vocal weight and range at the lower end of a given voice part; Dramatic soprano, a strong voice which can be heard over an orchestra; Dramatic, an album by Casiopea; The Dramatics, 1960s American soul music vocal group
Synonym for death Neutral Pop one's clogs [2] To die Humorous, [1] Informal [2] British. "Pop" is English slang for "pawn." A 19th-century working man might tell his family to take his clothes to the pawn shop to pay for his funeral, with his clogs among the most valuable items. Promoted to Glory: Death of a Salvationist: Formal Salvation Army ...
A play is a form of drama that primarily consists of dialogue between characters and is intended for theatrical performance rather than mere reading.The creator of a play is known as a playwright.
A landmark through which Akira Kurosawa reimagined what cinematic storytelling could be, Rashomon marries form—chiefly, immersive flashbacks executed with unparalleled finesse—with narrative ...
Characterization or characterisation is the representation of characters (persons, creatures, or other beings) in narrative and dramatic works. The term character development is sometimes used as a synonym .
Another of the first of all modern tragedies is A Castro, by Portuguese poet and playwright António Ferreira, written around 1550 (but only published in 1587) in polymetric verse (most of it being blank hendecasyllables), dealing with the murder of Inês de Castro, one of the most dramatic