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The bekishe derives from the Hungarian bekes c. 16th century, a sort of fur-lined coat with a collar, fastened by clasps. The bekes was often richly decorated, sometimes with galloon . [ 3 ] One force driving caution with use of wool is the Biblical injunction against mixing it with linen (Lev. 19:19; Deut. 22:11).
' swinging sleeves ') is a style of kimono distinguishable by its long sleeves, which range in length from 85 cm (33 in) for a kofurisode (小振袖, lit. ' short swinging sleeve '), to 114 cm (45 in) for an ōfurisode (大振袖, lit. ' large swinging sleeves '). Furisode are the most formal style of kimono worn by young unmarried women in Japan.
A mixture of quicklime, smoke black, and linseed oil was applied on top of the henna, sometimes in patterns. This darkened the henna to black or a very dark green. Women also used melted resin to remove body hair. [37] 19th century women in the countryside and villages, and to a lesser extent urban women, had tattoos of a black, blue, or green hue.
The palette included black, white, nude, camel, grey, and yellow. Fabrications ranged from silk, tulle, georgette, and cashmere to leather, velvet, wool, and fur. The silhouette was focused, coats and capes layered over fluid shapes; slip dresses layered over knits and long dresses accented by ruffles and ruching.
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Princess di Sant' Antimo's gown of watered silk shows the short sleeves, lace flounce collar, and long pointed waist of the early 1840s. The tiny pleats that gather her skirt can be seen at the waistline. 1840–1844. Shoulders were narrow and sloping, waists became low and pointed, and sleeve detail migrated from the elbow to the wrists.
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